Earth No.3

This impression of Earth No.3 represents another pull from Masaji's terrestrial series, a body of work in which subtle variations in registration, ink density, and paper absorption distinguish individual sheets within the edition. The composition continues his investigation of geological surfaces, deploying the woodblock's intrinsic grain as both motif and medium. Passages of [bokashi](/glossary/bokashi) gradation soften the transitions between tonal fields, while carved channels articulate the structural geometry of mineral formations or fissured ground. Earthen pigments worked into the [washi](/glossary/washi) by hand-applied [baren](/glossary/baren) pressure produce a tactile, almost sculptural surface that rewards close looking. Like other works in the Earth sequence, the print embodies the postwar shift among Japanese printmakers toward formal abstraction informed by Western modernism and traditional reverence for natural materials. Masaji's position within the extended Yoshida family—brother of Chizuko, brother-in-law of Hodaka—places this work at the intersection of [sosaku-hanga](/glossary/sosaku-hanga)'s artist-made ethos and the family's broader engagement with postwar abstraction.