This undated color lithograph depicts cherries rendered in Hamaguchi's characteristically spare compositional mode. Lithography requires a fundamentally different technical approach from mezzotint: rather than working a metal plate from dark to light, the artist draws directly on a stone or plate with greasy materials, then prints from the planographic surface. The cream wove paper, laid down on mat board, suggests a presentation format associated with collector prints or album sheets. The choice of lithography over mezzotint—Hamaguchi's signature medium—may reflect an exploratory or commissioned context. The cherries remain a consistent motif across his career in multiple media, valued for their compact, glossy forms and the challenge of rendering their translucent skins under directed light.