tomorrow-rain-05287

Tomorrow Rain takes a meteorological subject of long standing in Japanese printmaking — rain has been a vehicle for atmospheric mood since Hiroshige's [meisho-e](/glossary/meisho-e) — and recasts it within the abstracted vocabulary of postwar [sosaku-hanga](/glossary/sosaku-hanga). The future-tense title points away from documentary observation toward an anticipatory, emotional register: weather as state of mind. Fukita Fumiaki's prints from this vein typically build atmospheric density through multiple overprinted color layers on [washi](/glossary/washi), with the rain itself often suggested rather than literally drawn — implied through vertical striations carved into the block, deliberate woodgrain emphasis, or [bokashi](/glossary/bokashi) gradations that pull the eye downward through the composition. As a Tama College professor and active member of the Nihon Hanga Kyokai, Fukita was committed to the creative print principle that the artist controls every stage from design through impression, and works like this demonstrate how the medium's physical properties — fibrous paper, carved wood, hand-rubbed [baren](/glossary/baren) pressure — could carry the same affective weight as the depicted subject.