Self-portrait

A self-portrait, an unusual but characteristically sosaku-hanga subject for a printmaker who prized personal expression over the production-line ukiyo-e workshop model. The genre allowed Kawanishi to assert his identity as an autonomous artist responsible for design, carving, and printing — the jiga, jikoku, jizuri principles central to the creative print movement. The composition likely shows the artist bust-length, possibly with brushes, blocks, or other studio attributes, rendered in the same flat saturated color planes and confident keyblock outlines he applied to his harbors and hillside scenes. As a self-image, the print connects Kawanishi to a sosaku-hanga current in which artists including Hiratsuka Un'ichi and Onchi Kōshirō produced reflective figural works alongside their landscape and abstract output. For Kawanishi, the self-portrait functions as both a personal record and a declaration of authorship within a tradition newly insisting on the singular artist's hand.