

The edition type is the primary value driver for Yoshida prints. The jizuri seal — indicating the artist personally supervised every aspect of printing — typically commands 2–3× the price of posthumous reprints. Standard jizuri prints of Japanese landscapes cluster around $2,149 at dealer level (1stDibs benchmark). PBS Antiques Roadshow valued a pair of lifetime prints at $2,500 total (~$1,250 each) for non-jizuri examples.
Sarusawa Pond in Nara — a small, willow-fringed body of water just south of Kofuku-ji Temple, with the temple's five-story pagoda reflected in its surface — is among the most painted and photographed views in Japan, and Yoshida's 1933 treatment adds his characteristic atmospheric sensitivity to a scene of classical familiarity. The pond's reflection of the pagoda creates a doubled composition — the real structure above, its mirror below — and the surrounding willows and seasonal plantings frame the view with the soft, trailing textures that Yoshida rendered with particular delicacy. The scene is one of those rare Japanese views where architecture and nature have achieved, over centuries of coexistence, a relationship of such visual completeness that the artist's task is to bring fresh light to an established perfection.

Nikko Chuzenjiko
1930
Color woodblock print; oban

Wakasa Kugushiko
1920
Color woodblock print; oban

Niigata Gosaibori
1921
Color woodblock print; oban

Woodblock print
Curated cross-cuts that include this print.
Sarusawa Pond was created by Hiroshi Yoshida (吉田博) in 1933.
Sarusawa Pond uses Bokashi, Nishiki-e, and Moku-hanga, on color woodblock print.
Sarusawa Pond was published by Yoshida Studio (1933).
Sarusawa Pond depicts rivers & lakes.
Sarusawa Pond measures 27 × 41 cm (Oban format).