Unknown, red Fuji

Unknown, red Fuji is a Kyoto woodblock by Inagaki Toshijiro recorded on [ukiyo-e](/glossary/ukiyo-e).org through the Japanese Art Open Database entry for the Ishihara Mikumo collection. The subject places the print in a long lineage of Japanese imagery built around Mount Fuji, and specifically around the so-called red Fuji motif famous from Hokusai's Thirty-Six Views of Mount Fuji. Where the nineteenth-century treatments dramatize the mountain with strong contour and a clear narrative dawn, Inagaki approaches Fuji as a problem in flat shape and color. The mountain's profile is reduced to a single bold silhouette, set against a sky and foreground rendered in broad fields rather than in linear detail. Tonal transitions are minimized, and the famous red of the slope is handled as a saturated, evenly inked block that recalls a dyed cloth panel more than a painted study from nature. That visual logic is the signature of a katazome-influenced print: Inagaki was a master of katazome stencil dyeing in Kyoto, a practice in which he was eventually recognized as a Living National Treasure, and his woodblock work consistently translates the textile dyer's tools, paper stencils, paste resist, and pigment-loaded brushes, into the printmaker's vocabulary of block and registration. The result is a print that quietly modernizes a classic motif, claiming red Fuji for the postwar [sosaku-hanga](/glossary/sosaku-hanga) generation without leaning on Hokusai's narrative drama. For collectors of mid-twentieth-century Japanese prints interested in how Inagaki Toshijiro reworked traditional iconography, this sheet is a useful comparison piece. The ukiyo-e.org source does not record a specific year or publisher beyond the Ishihara Mikumo entry.