
No. 17- Summer Flowers (1)
by Ito Shinsui
- Medium:
- Woodblock print
- Format:
- Oban
- Publisher:
- Watanabe Shozaburo
- Edition:
- Published by Watanabe Shozaburo
- Source:
- Ohmi Gallery

by Ito Shinsui
Shinsui's extensive oeuvre spans bijin-ga, landscapes, and genre subjects. Auction averages over 12 months reflect healthy collector demand across all subject types.
"No. 17- Summer Flowers" is a [shin-hanga](/glossary/shin-hanga) nature study by Ito Shinsui, created during the Taisho and Showa periods. This work belongs to the [kacho-e](/glossary/kacho-e) (bird-and-flower) tradition, one of the most celebrated genres in Japanese art.
Ito Shinsui brings characteristic sensitivity to this naturalistic subject, combining precise observation with poetic atmosphere. The composition balances the living subjects with their environment, creating a scene that feels both scientifically accurate and emotionally resonant.
The technical execution reveals the sophisticated printmaking tradition behind this image — from the precise registration of multiple color blocks to the subtle gradations that give depth and luminosity to the natural subjects.
This print represents Ito Shinsui's contribution to the shin-hanga tradition during the Taisho and Showa periods. As with all works by this artist, it reflects both individual artistic vision and the broader cultural moment in which it was created. For collectors and admirers of Japanese printmaking, it offers a window into the sophisticated aesthetic world that produced some of the most beloved images in art history.

広隆寺牛祭
Woodblock print

二月 (伏見稲荷大社祭)
second half 20th century
Woodblock print, ink and color on paper

七月 (祇園祭山鉾巡行)
second half 20th century
Woodblock print, ink and color on paper

八月 (三条大橋より大文字)
second half 20th century
Woodblock print, ink and color on paper
Curated cross-cuts that include this print.
No. 17- Summer Flowers (1) was created by Ito Shinsui (伊東深水).
No. 17- Summer Flowers (1) was published by Watanabe Shozaburo.
No. 17- Summer Flowers (1) depicts summer.