
British Museum
by John Amoss
- Medium:
- Woodblock print
- Source:
- ukiyo-e.org
Description
British Museum is a contemporary mokuhanga print by John Amoss, an American artist who has become one of the most active voices in the international mokuhanga community over the past two decades. The work is documented through [ukiyo-e](/glossary/ukiyo-e).org, the open archive that aggregates Japanese woodblock prints and contemporary mokuhanga from museums, dealers, and artist studios worldwide. Amoss came to mokuhanga from a background in illustration and graphic design, and his prints typically combine the architectural sensibility of an illustrator with the soft, water-borne tonalities that only hand-printed mokuhanga can produce. In British Museum he turns his attention to one of the most recognizable cultural institutions in London, a subject that fits comfortably within his broader interest in the built environment, public space, and the experience of moving through cities as a traveler rather than a resident. Like other works in his catalogue, the print is made entirely by hand on [washi](/glossary/washi) using water-based pigments brushed onto carved cherry or shina blocks and pressed with a [baren](/glossary/baren), the same materials and methods refined in Japan over centuries and now adopted by a growing community of American mokuhanga practitioners. Amoss has been a regular participant in the International Mokuhanga Conference and is widely associated with the network of artists, conferences, and exhibitions that has pushed American mokuhanga into a recognizable contemporary movement distinct from both traditional ukiyo-e and Western relief printmaking. British Museum exemplifies the qualities collectors look for in his work: an architectural subject treated with restraint, layered translucent color, and the visible, slightly irregular impression of a hand-pulled print. For collectors building a focused holding of contemporary mokuhanga or American mokuhanga, this print is a representative example of how John Amoss has applied a Japanese woodblock tradition to recognizably Western and global subject matter.



