

Maruyama Park, at the foot of the Higashiyama hills behind Yasaka Shrine, has been Kyoto's central hanami site since its opening in 1886, anchored by the great shidarezakura (weeping cherry). The print depicts yozakura — blossoms viewed at night, when paper lanterns transform the grounds into a field of pale petal against deep ground. Such subjects demand technical control of dark fields: indigo or [sumi](/glossary/sumi) backgrounds printed in multiple impressions to achieve density without flatness, the blossoms left largely unprinted or carrying only the lightest pink wash so the [washi](/glossary/washi) paper itself reads as petal. Yoshikawa would have employed [bokashi](/glossary/bokashi) shading in the sky and selective [karazuri](/glossary/karazuri) to suggest petal volume against the dark surround. The print belongs to a strand of [shin-hanga](/glossary/shin-hanga) night views and reflects Yoshikawa's documentation of distinctly Kyoto rituals of seasonal observance — subjects he understood not only as picturesque scenes but as expressions of the city's cultural continuity.

early summer 1922
Woodblock print, ink and color on paper with mica
Woodblock print

Woodblock print
Woodblock print

Kumoi sakura
1926
Color woodblock print

1935
Color woodblock print

Romon
1935
Color woodblock print

円山公園桜
Woodblock print
Curated cross-cuts that include this print.
Cherry blossom at night - Maruyama Park was created by Kanpo Yoshikawa (吉川観方).
Cherry blossom at night - Maruyama Park depicts cherry blossoms, night scenes, and gardens.