

Hokusai's genre scenes, bijin-ga (beautiful women), and miscellaneous subjects represent the breadth of his career across more than seven decades. The market for non-landscape Hokusai prints has strengthened as collectors seek beyond the most famous designs.
Musume Dojoji — the celebrated kabuki and dance piece depicting a young woman's jealous transformation into a vengeful demon — is here rendered as a playful parody in [surimono](/glossary/surimono) format around 1801–05. Hokusai's parodic treatment (mitate) substitutes comic or contemporary figures for the play's tragic protagonists, deflating the drama's supernatural intensity through the gentle irreverence characteristic of Edo popular culture.

1821
Color woodblock print with metallic pigments; surimono shikishiban

1822
Color woodblock print; shikishiban, surimono

1822
Color woodblock print; shikishiban, surimono

c. 1832
Color woodblock print; oban
Curated cross-cuts that include this print.
Parody of the play "Musume Dojoji" was created by Katsushika Hokusai (葛飾北斎) in c. 1801/05.
Parody of the play "Musume Dojoji" depicts figures, kabuki, and mythology.