Poetry Contest — Ladies in the Formal Poetry-Composing Event

Poetry Contest — Ladies in the Formal Poetry-Composing Event is a color woodblock [triptych](/glossary/triptych) ([nishiki-e](/glossary/nishiki-e)) by Kawanabe Kyōsui from about 1894, depicting an idealized Heian-style waka composition gathering. Across the three panels, court ladies in elaborate jūnihitoe layered robes are arranged around the floor of a formal interior, holding scrolls, brushes, and inkstones as they prepare poems for the contest; standards, screens, and seasonal flowers complete the courtly setting. The triptych demonstrates Kyōsui's command of [bijin-ga](/glossary/bijin-ga) in the historical-revival mode that became fashionable in Meiji nihonga circles, drawing on Heian and Kamakura iconographic sources for costume detail, on classical Yamato-e composition for the planar arrangement of figures across the panels, and on contemporary Meiji color woodblock-printing practice for the saturated polychrome and selective use of textured grounds. The composition belongs to the same 1890s phase of her career as the Battle of Pungdo (1894) and the La Fontaine fables project (1894), and exemplifies the kind of refined bijin-ga history scene for which she became best known and which secured her appointment to the founding teaching staff of the Joshi Bijutsu Gakkō (Women's School of Fine Arts) in 1902. The Pasamonares-Onila Collection copy was exhibited in 2023 at the Museo de Zaragoza in the exhibition Somos el sol: Mujeres artistas en las colecciones de Asia Oriental (Spring 2023) and uploaded to Wikimedia Commons that May.