Kikyo Gate (Kikyomon), from the series "Twenty Views of Tokyo (Tokyo nijukkei)" by Kawase Hasui — Japanese Color woodblock print; oban, 1929

Kikyo Gate (Kikyomon), from the series "Twenty Views of Tokyo (Tokyo nijukkei)"

Kikyomon

by Kawase Hasui

Series:
Twenty Views of Tokyo (print 3 of 20)
Date:
1929
Medium:
Color woodblock print; oban
Format:
Oban
Dimensions:
26 × 38.9 cm

Typical Price

Kikyo Gate, a historic entrance to Edo Castle's inner precincts, appears in Hasui's celebrated Twenty Views of Tokyo series. Lifetime editions bring $700-$3,000. The Twenty Views set is one of Hasui's most collected series, and architectural subjects within it carry particular appeal for collectors interested in the changing face of Tokyo between the wars.

Description

Kikyo Gate is a refined architectural study from Kawase Hasui's celebrated "Twenty Views of Tokyo" series, created in 1929 and published by Watanabe Shozaburo. The print depicts the Kikyomon gate, one of the historic entrance gates to the Imperial Palace grounds in central Tokyo, formerly part of Edo Castle's extensive fortification system. The composition frames the traditional gate structure with its characteristic stone walls, wooden framework, and tiled roof, presenting a scene of quiet dignity amid the modern city that had grown up around the palace grounds.

The Kikyo Gate takes its name from the kikyo flower — the Chinese bellflower or balloon flower — and serves as one of the access points to the Imperial Palace's inner gardens. The gate and its surrounding stone walls and moats represent some of the finest surviving examples of Edo-period castle architecture in Tokyo, much of the original Edo Castle having been lost to fire, earthquake, and war over the centuries. By including this subject in his "Twenty Views of Tokyo" series, Hasui drew attention to the historical architectural heritage that persisted within the rapidly modernizing capital.

The "Twenty Views of Tokyo" series represents one of Hasui's most ambitious and commercially successful undertakings, systematically documenting the city's most characteristic and atmospheric locations. The series consciously echoes the great Edo-period tradition of topographical print series, particularly Hiroshige's "One Hundred Famous Views of Edo," while bringing a modern sensibility shaped by Western-influenced concepts of light, atmosphere, and perspective. Kikyo Gate exemplifies the architectural strand within the series, complementing the temple scenes, waterfront views, and park landscapes that make up the full collection. The printing achieves a harmonious balance between the geometric precision of the stonework and gate structure and the organic softness of surrounding vegetation, creating a scene that feels both historically grounded and aesthetically timeless.

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