Mitate of a Daimyo procession by women crossing Ryogoku Bridge

Mitate of a Daimyo procession by women crossing Ryogoku Bridge by Keisai Eisen exemplifies the playful, often subversive mitate tradition central to late Edo [ukiyo-e](/glossary/ukiyo-e). Documented on ukiyo-e.org from a listing in the Art of Japan gallery, the sheet substitutes women for the male retainers of a daimyo procession, transforming a heavily regulated and ceremonial event into a procession of fashionable Edo beauties crossing the iconic Ryogoku Bridge over the Sumida River. The mitate device, in which a contemporary subject 'stands in for' a classical, official, or otherwise weighty reference, allowed Edo ukiyo-e designers to engage indirectly with politically sensitive subjects such as daimyo travel under the sankin kōtai system. By replacing samurai with women, Eisen distances the print from official reality just enough to remain within publishing limits while inviting buyers to enjoy the joke. The composition is well suited to his [bijin-ga](/glossary/bijin-ga) style: a series of women in coordinated costume, carrying the various props of a procession – banners, palanquin elements, weapon stands – becomes a kind of fashion procession that emphasizes textile pattern, posture, and hairstyle. The bridge architecture, a recognizable Edo landmark, anchors the scene topographically. The ukiyo-e.org entry, drawn from a dealer's catalogue, preserves the image without confirmed publisher or date but documents Eisen's command of one of the most distinctive visual games available to a late Edo ukiyo-e designer.