Hanga
Enjoying the Evening Cool at Ryogoku Bridge (Ryogokubashi noryo), from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)" by Kikukawa Eizan — Japanese Color woodblock print; oban, early 19th century

Enjoying the Evening Cool at Ryogoku Bridge (Ryogokubashi noryo), from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)"

by Kikukawa Eizan

Date:
early 19th century
Medium:
Color woodblock print; oban

Description

From Eizan's "Fashionable Eight Views of Edo (Furyu Edo hakkei)," this Art Institute of Chicago oban, dated to the early nineteenth century, draws on one of the most beloved summer subjects in Edo culture. Ryogoku Bridge, spanning the Sumida River and lined each evening of the kawabiraki season with food stalls, pleasure boats, and firework crowds, was the city's great public stage for noryo — taking the evening cool. Eizan replaces the panoramic crowd scene with a tight bijin-ga focus: one or two elegant women presented as if they were the season's emblem. The "Eight Views" framework, borrowed from the Chinese Eight Views of Xiao and Xiang and the Japanese Eight Views of Omi, gave Edo designers a way to elevate local scenes to canonical status, and Eizan's contribution dresses each canonical site in the latest hairstyles and kimono patterns. The print is also a useful index of his textile training: the fold and gradation of the women's robes reflect the precision he had absorbed at the Hosokawa fabric shop.

More Prints by Kikukawa Eizan

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Frequently Asked Questions

Enjoying the Evening Cool at Ryogoku Bridge (Ryogokubashi noryo), from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)" was created by Kikukawa Eizan (菊川英山) in early 19th century.

Enjoying the Evening Cool at Ryogoku Bridge (Ryogokubashi noryo), from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)" depicts bridges.