Lake Biwa
by Koho Shoda
- Medium:
- Woodblock print
- Source:
- Japanese Art Open Database
- Image courtesy of
- Japanese Art Open Database
Description
This fourth Lake Biwa composition likely presents a view with a more prominent foreground element — a shoreline with pine trees, a village with tile rooftops, or fishing nets spread to dry — while the lake recedes into soft atmospheric distance. The Eight Views of Omi tradition specified scenes such as 'Autumn Moon at Ishiyama,' 'Evening Snow on Mount Hira,' and 'Evening Bell from Mii Temple,' and Shoda may have drawn on these canonical subjects while reworking them in his own visual language. His nihonga training under Ogata Gekko would have given him facility with the graduated ink washes that translate naturally into woodblock [bokashi](/glossary/bokashi), allowing him to render the particular quality of light over a large body of water with conviction.






