Matsukaze and Murasame

Matsukaze and Murasame, a [surimono](/glossary/surimono) in the Art Institute of Chicago dated to around 1810, depicts the two sisters who give their names to the Noh play Matsukaze - one of the most beloved works in the Noh repertoire and a favorite source for late-Edo poetic and visual culture. In the play, the ghosts of Matsukaze ("pine wind") and Murasame ("passing shower"), two salt-gathering sisters loved by the courtier Ariwara no Yukihira during his exile at Suma, return to haunt a traveling priest, dancing and grieving for their lost lover before fading into the wind and rain. The story, with its themes of love, exile, ghostly recurrence, and elemental nature, was perfectly suited to kyoka taste, and Matsukaze surimono accordingly proliferated. Shunman's treatment renders the two sisters with the slender elegance characteristic of his [bijin-ga](/glossary/bijin-ga) inheritance, probably at the dramatic moment of dance or of the brine bucket scene, with the kyoka inscriptions above linking the play to seasonal or autumnal themes. The atmospheric implications - pine wind, passing shower - give the image its emotional register, and Shunman's restrained palette captures the haunted quality without melodrama. The Art Institute of Chicago's preservation of the print testifies to Shunman's fluency with the Noh repertoire as a source for surimono - a fluency that reflected both his own learning and the literary expectations of his patrons.