Viewing Votive Plaques at Mukojima

Viewing Votive Plaques at Mukojima, in the Art Institute of Chicago, survives as the center sheet of an [oban](/glossary/oban) [triptych](/glossary/triptych) dating to around 1785-1789 and depicts an Edo genre scene that would have been immediately recognizable to contemporary audiences: visitors to a shrine or temple at Mukojima, on the east bank of the Sumida River, examining the votive plaques (ema) that worshippers hung as petitions or thanks-offerings. Mukojima was a fashionable destination in late-Edo leisure culture, famous for its cherry blossoms and waterfront views, and it features in many [ukiyo-e](/glossary/ukiyo-e) prints as a stage for elegantly dressed women and their attendants. Shunman's surviving center sheet shows the kind of compositional control characteristic of his commercial period: figures grouped to lead the eye into the architectural setting, costumes rendered with careful textile detail, and a landscape background compressed into a few decisive horizontal bands. As the middle panel of a triptych the design originally extended beyond the surviving sheet, with figures and architecture continuing across the right and left panels in ways now lost to us. The print exemplifies Shunman's ability to fold famous-places ([meisho-e](/glossary/meisho-e)) subjects into elegant [bijin-ga](/glossary/bijin-ga), a synthesis that defined the most ambitious late-Edo single-sheet prints. The Art Institute of Chicago's holding of the center sheet permits study of Shunman's compositional priorities even in the absence of the full triptych.