Dated to 1953 during the Showa period, this woodblock print belongs to the concentrated period of kabuki subjects that Shinagawa produced in the early 1950s. The Showa-period dating places it in the postwar era when kabuki, like other traditional arts, was undergoing reassessment and revival after wartime restrictions and the Allied occupation's initial censorship of feudal-themed performance. Shinagawa's decision to depict kabuki actors during this period represents both a personal artistic interest and a broader cultural reclamation. The print likely shares the bold, expressionistic treatment of its companion kabuki works, using carved line and saturated color to capture the heightened reality of stage performance. The specificity of the 1953 date may indicate that a particular production or actor inspired the work.