
The Flower Pavilion at Sendagi
- Date:
- 1855
- Medium:
- Source:
- Victoria and Albert Museum
Description
The Flower Pavilion at Sendagi, dated 1855 and preserved in the Victoria and Albert Museum, is an Edo ukiyo-e landscape print in which Utagawa Hiroshige records one of the seasonal pleasures of the shogunal city: visits to the flower-viewing gardens in the Sendagi district north of Ueno. Sendagi and the neighboring areas of Yanaka and Komagome were celebrated for their plum and chrysanthemum displays, and the "Hanayashiki" or flower pavilion at Sendagi was a destination for both serious horticultural connoisseurs and casual day-trippers. The print presents the garden at a moment of full bloom: a wooden pavilion of multiple rooflines rises in the middle distance, surrounded by trellised plantings and small bridges, while pathways through the foreground bring in groups of visitors—women in patterned kimono, men with sun-hats, children at play. The composition is built on layered horizontals, with the pavilion as the architectural anchor, and the printer uses dense floral massing and bokashi gradations to register both the variety of plant species and the soft midday light. As a landscape print of the mid-1850s, the design extends Hiroshige's long-running interest in named gardens and meisho (famous places) within Edo, and the Victoria and Albert Museum impression demonstrates the patient color register that Sendagi's combination of greenery, blossom, and timbered structure required.
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Frequently Asked Questions
The Flower Pavilion at Sendagi was created by Utagawa Hiroshige (歌川広重) in 1855.
The Flower Pavilion at Sendagi depicts birds & flowers and landscapes.





