
White heron and iris
- Date:
- c. 1832/34
- Medium:
- Color woodblock print; otanzaku
- Format:
- Oban
- Source:
- Art Institute of Chicago
Typical Price
- Later reprint (Meiji–Taisho era publishers): $50–$400
- Good later impression (Edo-period, faded pigments): $1,000–$5,000
- Good early impression (vivid color, sensitive observation): $5,000–$20,000
- Fine early impression (exceptional freshness and condition): $20,000–$50,000
Hiroshige's bird-and-flower prints (kacho-e) were enormously popular during his lifetime. Typically in vertical chuban or koban format, they represent the most accessible entry point for collectors of Hiroshige's work. Fine impressions retain remarkable freshness of color.
Description
A white heron stands beside purple iris flowers in this narrow otanzaku-format bird-and-flower print from around 1832–34. The pairing of white heron and iris was one of the classic combinations in Japanese painting — the bird's vertical stillness against the upright leaves and horizontal blooms. Hiroshige's treatment is spare and elegant, the limited palette of white, purple, and green conveying the fresh quality of early summer at a wetland margin.
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Frequently Asked Questions
White heron and iris was created by Utagawa Hiroshige (歌川広重) in c. 1832/34.
White heron and iris depicts birds & flowers.





