Dated 1828 and held in the Art Institute of Chicago, this Utagawa Toyokuni print is another sheet from the series Eight Views of Famous Places, depicting night rain at Mount Oyama with a view of the summit above the former Fudo temple. The site, Oyama, was a major pilgrimage destination southwest of Edo and one of the regional peaks regularly cited in pilgrimage and travel literature. Toyokuni's design uses the meisho hakkei convention of night rain to organize the composition around vertical streaks and tonal compression, with the summit looming over the temple precincts and the indicated rainfall pulling the entire image toward a single weather mood. Although Edo [ukiyo-e](/glossary/ukiyo-e) [yakusha-e](/glossary/yakusha-e) remained the core of Toyokuni's output, his willingness to undertake a full eight-views landscape series in the late 1820s shows how attentive he was to evolving collector demand. The print belongs to a broader cultural moment in which religious pilgrimage, leisure travel, and landscape print collecting reinforced one another, with Utagawa school designers producing portable images that doubled as souvenirs and devotional reminders. For modern viewers, the sheet complicates the standard picture of Toyokuni as a strictly theatrical designer and places his work in fruitful dialogue with the more famous landscape series of Hokusai and Hiroshige that were appearing in the same years.