Key value factors: Edition order (first Watanabe/Doi printing vs. posthumous reprints) is crucial. Snow scenes, night views, and bijin-ga typically command premiums. Publisher seals and artist signatures authenticate first editions.
A woodblock print by Yoshimune Arai that has lost its original title through the vicissitudes of collection and commerce. The print market in early twentieth-century Japan was vast, with works passing through publishers, dealers, and collectors in ways that often stripped contextual information. Arai's prints, particularly his [kuchi-e](/glossary/kuchi-e) frontispieces, were originally bound into magazines and had clear titles and publication dates. When removed from their bindings — as many were, to be sold as individual prints — this information could easily be lost. The physical print endures as a testament to the woodblock craft, its carved lines and layered pigments recording the collaborative labor of the printmaking workshop.
Curated cross-cuts that include this print.
Untitled (yoshimune-arai) was created by Yoshimune Arai (荒井芳宗).
Untitled (yoshimune-arai) depicts figures, bijin-ga, and abstract.
