Hanga

Figures Prints (1669)

Figure compositions are among the most diverse subjects in Japanese printmaking, encompassing everything from intimate domestic scenes to grand historical narratives. The tradition spans the full history of ukiyo-e, from Moronobu's pioneering single-sheet prints of the 1670s to contemporary figure studies that blend traditional techniques with modern sensibilities. In the ukiyo-e era, figure prints often depicted courtesans, actors, and townspeople of Edo's pleasure quarters, capturing the fashions, gestures, and social dynamics of urban life. The shin-hanga movement brought a more contemplative approach, with artists like Ito Shinsui creating elegant figure studies that emphasized mood and atmosphere over narrative action. Sosaku-hanga artists pursued more experimental figure work, from Onchi Koshiro's abstract portraits to Sekino Jun'ichiro's bold character studies. Figure prints in the Japanese tradition are notable for their attention to textile patterns, body language, and the suggestion of inner life through subtle compositional choices. Whether depicting a single standing figure or a complex multi-figure narrative, these works reveal the printmaker's skill in translating human presence into the woodblock medium.

Artists Known for Figures

Hara Shobō by Ito Shinsui

Hara Shobō

Woodblock print

Woman after the Bath (Yokugo no onna) by Hashiguchi Goyo

Woman after the Bath (Yokugo no onna)

1920

Woodblock print

Various by Hashiguchi Goyo

Various

Not set

Woodblock print

Woman Applying Makeup- Kesho no Onna — 化粧の女 by Hashiguchi Goyo

Woman Applying Makeup- Kesho no Onna — 化粧の女

1918

Woodblock print

Woman Filling Basin at the Sink by Hashiguchi Goyo

Woman Filling Basin at the Sink

1920 (Taishō 9), 7th month

Woodblock print; ink, color and mica on paper

Prisoners' Round by Gihachiro Okuyama

Prisoners' Round

Woodblock print

Woman Cutting Her Toenails by Hashiguchi Goyo

Woman Cutting Her Toenails

1953

Woodblock print, ink on paper

Day Dream (Mahiru no yume) by Takumi Shinagawa

Day Dream (Mahiru no yume)

1952

Color woodblock print

Woman Preparing to Bathe, Her Image Reflected in the Water, Taishô period, dated 1918 (8th month of Taishô 9) by Hashiguchi Goyo

Woman Preparing to Bathe, Her Image Reflected in the Water, Taishô period, dated 1918 (8th month of Taishô 9)

Taishô period, 1912-1926

Woodblock print

Umbrellas by Fritz Capelari

Umbrellas

1915

Woodblock print, ink and color on paper

Three Masks (Kamen 3) by Kinoshita Tomio

Three Masks (Kamen 3)

1957

Color woodblock print

Faces (5people) by Kinoshita Tomio

Faces (5people)

Woodblock print

Matsumoto Koshiro VII as Kenkei in Kanjincho by Ota Masamitsu

Matsumoto Koshiro VII as Kenkei in Kanjincho

1954

Woodblock print

Attention Sweet Words by Yuji Hiratsuka

Attention Sweet Words

Woodblock print

V

Various artists

Woodblock print

July, After a Bath by Shima Seien

July, After a Bath

Woodblock print

Untitled (hodo-nishimura) by Nishimura Hodo

Untitled (hodo-nishimura)

Woodblock print

Woman and Lute by Ogawa Usen

Woman and Lute

Woodblock print

After bath- Yokugo — Yokugo by Ito Shinsui

After bath- Yokugo — Yokugo

Woodblock print

May — 其五藤見 by Miyagawa Shuntei

May — 其五藤見

1898

Woodblock print

Two Dancers by Natori Shunsen

Two Dancers

Woodblock print

Two Women After Bath by Hashiguchi Goyo

Two Women After Bath

designed: 1920 (Taishō 9), July; printed: c. 1950 (Shōwa 25)

Woodblock print; ink and mica on paper

Ohta Masamitsu (Ota) by Ota Masamitsu

Ohta Masamitsu (Ota)

1954

Woodblock print

Hirano Hakuho_ by Hirano Hakuhō

Hirano Hakuho_

Woodblock print

Tayu B (4/40) by Takahashi Hiromitsu

Tayu B (4/40)

Woodblock print

Paul Binnie by Paul Binnie

Paul Binnie

Woodblock print

Urushibara by Yoshijiro Urushibara

Urushibara

Woodblock print

Japanese Art Open Database by Yoshijiro Urushibara

Japanese Art Open Database

Woodblock print

Jinbo Tomoyo by Tomoyo Jinbo

Jinbo Tomoyo

Woodblock print

Windy day, umbrella by Takahashi Shotei

Windy day, umbrella

Woodblock print

No. 20 (1) by Ito Shinsui

No. 20 (1)

Woodblock print

Woman Dressing (posthumous edition circa 1922?), Taishô period, circa 1919-1922 by Hashiguchi Goyo

Woman Dressing (posthumous edition circa 1922?), Taishô period, circa 1919-1922

Taishô period, 1912-1926

Woodblock print

After the Bath by Ito Shinsui

After the Bath

湯上がり

1917

Color woodblock print

Woman Powdering Her Neck by Hashiguchi Goyo

Woman Powdering Her Neck

1918 (Taishō 7)

Woodblock print; ink, color, and mica on paper

Applying Powder by Torii Kotondo

Applying Powder

Summer 1930

Woodblock print, ink and color on paper with mica

Lip Rouge by Torii Kotondo

Lip Rouge

January 1932

Woodblock print, ink and color on paper with mica

Alone by Kinoshita Tomio

Alone

1958

Woodblock print, ink and color on paper

Kinoshita, Tomio (b. 1923) by Kinoshita Tomio

Kinoshita, Tomio (b. 1923)

Woodblock print

Before the Mirror (Kagami no mae) by Hirano Hakuhō

Before the Mirror (Kagami no mae)

Woodblock print

TotalCount by Ota Masamitsu

TotalCount

1949

Woodblock print

Untitled (fujiki-kikumaro) by Fujiki Kikumaro

Untitled (fujiki-kikumaro)

Woodblock print

O Yuki by Bertha Lum

O Yuki

1905

Color woodcut

Black Neckband by Ito Shinsui

Black Neckband

Spring 1928

Woodblock print, ink and color on paper with mica

No Series Lady In Heian Court Litho by Chigusa Kotani

No Series Lady In Heian Court Litho

Woodblock print

Akutagawa by Katsushika Hokusai

Akutagawa

c. 1801/06

Color woodblock print; kokonotsugiri-ban, surimono

TotalCount by Hashiguchi Goyo

TotalCount

1920

Woodblock print

Woman preparing to wash her face by Hashiguchi Goyo

Woman preparing to wash her face

1920

Woodblock print

Face by Kinoshita Tomio

Face

1970

Woodblock print, ink and color on paper

Matsumoto Koshiro VIII as Matsuomaru by Ota Masamitsu

Matsumoto Koshiro VIII as Matsuomaru

Not set

Woodblock print

Fujiki Kikumaro by Fujiki Kikumaro

Fujiki Kikumaro

Woodblock print

Ota Masamitsu by Ota Masamitsu

Ota Masamitsu

1955

Woodblock print

Kamoshita, Choko by Kamoshita Chōko

Kamoshita, Choko

Woodblock print

Yanone II (ed. 4/20) by Takahashi Hiromitsu

Yanone II (ed. 4/20)

Woodblock print

Bonbon Clock by Ito Shinsui

Bonbon Clock

Woodblock print

Utagawa Kuniyoshi by Hirayama Roko

Utagawa Kuniyoshi

Woodblock print

Woman Applying Powder by Hashiguchi Goyo

Woman Applying Powder

化粧の女

1918

Color woodblock print

Woman Dressing by Hashiguchi Goyo

Woman Dressing

1920

Woodblock print

Woman Seated on a Pillow Before a Low Dressing Table, Taishô period, dated 1918 (7th month of Taishô 9) by Hashiguchi Goyo

Woman Seated on a Pillow Before a Low Dressing Table, Taishô period, dated 1918 (7th month of Taishô 9)

Taishô period, 1912-1926

Woodblock print

Woman Powdering, Taishô period, dated 1918 by Hashiguchi Goyo

Woman Powdering, Taishô period, dated 1918

Taishô period, 1912-1926

Woodblock print

Masks #4 by Kinoshita Tomio

Masks #4

1958

Woodblock print, ink on paper

Related Subjects

Frequently Asked Questions

Figure compositions are among the most diverse subjects in Japanese printmaking, encompassing everything from intimate domestic scenes to grand historical narratives. The tradition spans the full history of ukiyo-e, from Moronobu's pioneering single-sheet prints of the 1670s to contemporary figure studies that blend traditional techniques with modern sensibilities.

Tsukioka Yoshitoshi, Ogata Gekko, and Utagawa Kuniyoshi are among the artists most associated with figures in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 1669 prints tagged with figures, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.