Art Institute of Chicago

This print, held in the collection of the Art Institute of Chicago, represents the work of Asai Chu (1856-1907), a pioneering figure who bridged traditional Japanese visual culture and Western artistic techniques during the late Meiji period. Although Asai Chu is most widely recognized as a Western-style oil painter and a founding member of the Meiji Bijutsukai (Meiji Fine Arts Society), his influence extended into the broader currents of Japanese woodblock illustration and design that flourished during the Meiji period. Works attributed to him in print collections typically reflect his commitment to direct observation, atmospheric naturalism, and the integration of European pictorial conventions with Japanese subject matter.

The Meiji period (1868-1912) was a transformative era during which Japan opened to the West and rapidly modernized. Artists like Asai Chu, who studied under the Italian painter Antonio Fontanesi at the Technical Fine Arts School in Tokyo, played a crucial role in introducing yoga (Western-style painting) to Japan while simultaneously informing the visual vocabulary of Japanese woodblock prints and book illustration. His sketches, designs, and illustrations from this period frequently appeared in publications and were translated into print form, contributing to the evolving aesthetic of Meiji-era graphic arts.