

This 1920s print from the heart of Yoshida's jizuri period represents his mature shin-hanga technique. Standard jizuri prints of Japanese landscapes cluster around $2,149 (1stDibs dealer benchmark). The jizuri seal — indicating Yoshida personally supervised printing — is the single most important value driver, typically doubling the price over non-jizuri lifetime impressions.
Eboshidake — a peak in the Japanese Alps whose name derives from the eboshi, the tall formal hat worn by Shinto priests — rises with the distinctive conical silhouette that made it a landmark for mountain travelers in the Nagano highlands. Yoshida depicted the peak in 1926 as part of his sustained engagement with the Japanese Alps, approaching it with the landscape painter's eye trained on light quality and atmospheric condition rather than topographic accuracy. The mountain's profile against changing sky conditions — whether clear blue, clouded, or at the transition between — was Yoshida's primary material, and the print demonstrates his ability to render the specific character of high-altitude light with the limited but layerable palette of woodblock pigments.

Wakasa Kugushiko
1920
Color woodblock print; oban
Woodblock print

1934
Color woodblock print; oban

n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Curated cross-cuts that include this print.
Eboshidake was created by Hiroshi Yoshida (吉田博) in 1926.
Eboshidake uses Bokashi, Nishiki-e, and Moku-hanga, on color woodblock print.
Eboshidake was published by Yoshida Studio (1926).
Eboshidake depicts landscapes and mountains.
Eboshidake measures 27.6 × 40.5 cm (Oban format).