This [oban](/glossary/oban) woodblock print depicts a maiko, an apprentice geisha of Kyoto's traditional entertainment districts. The Japanese title, Maiko no Zu (Picture of a Maiko), frames the image as a formal study of the young woman in her elaborate costume. Maiko are distinguished by their trailing obi sashes, ornate seasonal hair ornaments (kanzashi), and the white-painted faces and necks that create the mask-like beauty central to geisha aesthetics. Domoto, working in Kyoto where the maiko tradition has its deepest roots, renders his subject with an awareness that extends beyond surface appearance to the cultural system the maiko embodies. The print belongs to the [bijin-ga](/glossary/bijin-ga) lineage while reflecting Domoto's Nihonga training in its attention to the material textures of silk, lacquer, and cosmetic white.