Pagoda In Nara

Pagoda in Nara most likely depicts one of the city's surviving ancient pagodas -- the five-storey at Kofuku-ji, the five-storey at Horyu-ji, or the three-storey at Yakushi-ji -- structures that anchor Sasajima's lifelong meditation on Japanese Buddhist architecture. The composition probably foregrounds the pagoda as a single isolated mass, its tiered roofs counted off in carved horizontal bands. Sasajima approached such buildings as carving problems first and pictorial subjects second: the timber bracketing under each eave, the rhythm of slope and overhang, the verticality of the central pillar all become matters for the gouge. Colour is typically restrained -- earthen ochres, [sumi](/glossary/sumi) blacks, sometimes a single muted green for surrounding pine. The print belongs to a sustained thread in Sasajima's output, his pilgrimage through the temple complexes of Nara and Kyoto, where he travelled repeatedly to draw and study before returning to his blocks. Every print was hand-carved and hand-pulled, a fifty-year discipline inherited from his teacher Onchi Koshiro and the [sosaku-hanga](/glossary/sosaku-hanga) movement.