Hoshuku

Hoshuku appears within Koizumi's documentary project of recording Tokyo and its outlying districts in One Hundred Views of Great Tokyo. Like the other prints in the series, it was designed, carved, and printed by the artist alone between 1928 and 1940, embodying the [sosaku-hanga](/glossary/sosaku-hanga) ideal of the artist as sole maker while applying that discipline to the [meisho-e](/glossary/meisho-e) tradition of place-by-place views. Compositionally Koizumi tended to favor specific, observed vantages over idealized prospects, with [bokashi](/glossary/bokashi) gradations carrying weather and time of day across the sky and water, and registered linework articulating tile, stone, and timber. Self-printed editions on [washi](/glossary/washi) often allow the paper's texture to read through thinner ink layers, a quality distinct from the polished surface of contemporary Watanabe-published [shin-hanga](/glossary/shin-hanga) prints. The image takes its place in his synthesis of inherited landscape subject matter with the workshop independence of the sosaku-hanga generation.