Ukiyo Matahei is the protagonist of the play Keisei Hangonko, a townsman painter of the Edo period renowned for brushwork so powerful it could bring images to life. Bando Mitsugoro IX (1906–1975) was one of the leading aragoto and wagoto specialists of the mid-twentieth century. Kokei renders the actor on ganpi paper — a thin, lustrous material that holds fine line work with exceptional fidelity — with yellow mica applied to specific ground areas to suggest shimmer or theatrical atmosphere. The mica application is consistent with Kokei's practice of layering kira pigment over printed areas to achieve effects unavailable through conventional woodblock inks alone. Matahei's pose in the play tends toward studied stillness — the artist absorbed in his craft — and Kokei's portrait likely captures this inward quality through careful attention to the actor's reflective gaze and the ink-stained costume of a working painter.

歌舞伎
Woodblock print

1955
Woodblock print

1928
Color lithograph

1930
Color lithograph
Curated cross-cuts that include this print.
Bando Mitsugoro IX as Ukiyo Matahei was created by Tsuruya Kokei (弦屋光溪).
Bando Mitsugoro IX as Ukiyo Matahei depicts kabuki and portraits.
Bando Mitsugoro IX as Ukiyo Matahei measures 24.1 × 39.4 cm.