Matsukaze is among the most celebrated figures in classical Japanese theater, originally the subject of a noh play by Zeami and later adapted for kabuki. The role centers on an ama (fisherwomen-diver) who pines for a noble courtier long departed. Bando Tamasaburo V (born 1950) is the most recognized onnagata of the late twentieth and early twenty-first centuries, and his interpretations of classical female roles have defined the form for a generation. Kokei prints Tamasaburo on ganpi paper with mica ground, a combination that allows the delicate fiber texture of the support to show through pale ink layers while mica applied to the background imparts a faintly luminous quality appropriate to the romantic melancholy of the Matsukaze narrative. The ama costume — simple working garments contrasting with the psychological complexity of the role — would be rendered through restrained color blocking against the metallic ground.

歌舞伎
Woodblock print

1955
Woodblock print

1928
Color lithograph

1930
Color lithograph
Curated cross-cuts that include this print.
Bando Tamasaburo V as Ama Matsukaze was created by Tsuruya Kokei (弦屋光溪).
Bando Tamasaburo V as Ama Matsukaze depicts kabuki and portraits.
Bando Tamasaburo V as Ama Matsukaze measures 24.8 × 38.7 cm.