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This undated oban woodblock print, cataloged with an inventory or series designation rather than a descriptive title, belongs to Komura Settai's body of shin-hanga work produced across the 1930s and early 1940s. Without a specific subject title, the print invites attention to its formal qualities: Settai's precise line work, his controlled use of color, and his compositional intelligence honed through decades of work as an illustrator and designer. Settai's prints were produced through the collaborative shin-hanga system of artist, carver, and printer, each contributing specialized skill to the final image. The oban format, roughly 10 by 15 inches, was the standard size for shin-hanga figure prints and gave Settai ample space for his detailed compositions.