
Rokushu Mizufune
- Medium:
- Woodblock print
- Edition:
- Self-printed
- Source:
- Harvard Art Museums
Description
Cataloged under the artist's own name rather than a descriptive title, this woodblock print is one of several works by Mizufune Rokushu whose specific subject has not been fully recorded in available databases. Given Mizufune's consistent focus on abstract and semi-abstract imagery throughout his career, the print almost certainly features the bold color fields, organic shapes, and textural effects that define his body of work. As a sosaku-hanga artist active in the mid-20th century, Mizufune was part of a generation that insisted on the printmaker's total creative control, rejecting the collaborative publisher-carver-printer system of traditional woodblock production. The absence of a descriptive title may reflect incomplete cataloging rather than an intentionally nameless work, though Mizufune's willingness to use poetic, non-literal titles makes either possibility plausible.
More Prints by Mizufune Rokushu
More Landscapes Prints

Lake Kugushi in Wakasa Province (Wakasa Kugushiko), from the series Souvenirs of Travel I (Tabi miyage dai isshu)"
Wakasa Kugushiko
1920
Color woodblock print; oban

Autumn Maple Leaves at Takao, from the album Eight Views of Kyoto (Kyôto hakkei)
Woodblock print

The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama), from the series "Collection of Views of Japan II, Kansai Edition (Nihon fukei shu II Kansai hen)"
1934
Color woodblock print; oban

Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami)
n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Featured in Collections
Curated cross-cuts that include this print.
Frequently Asked Questions
Rokushu Mizufune was created by Mizufune Rokushu (水船六洲).
Rokushu Mizufune depicts landscapes and abstract.



