A bijin-ga subject within the oeuvre of an artist better known for landscapes, this woodblock print depicts a woman holding a decorative fan. The fan serves both as a compositional element and a cultural signifier, its presence evoking summer evenings, the world of the geisha, and the refined leisure culture of Kyoto. Yoshimitsu, who spent most of his career rendering the temples, rivers, and seasonal scenery of the old capital, occasionally turned to figure subjects that shared the same atmosphere of quiet elegance. The print departs from his usual topographic specificity, replacing named locations with a single human subject. Yet the sensibility is consistent: the same stillness and attention to surface texture that Yoshimitsu brought to snow-covered riverbanks and autumn hillsides also shapes his treatment of fabric, hair, and the delicate arc of the fan.