This print depicts the Yotsuhashi district of Osaka, an area defined by its network of intersecting canals and the four bridges from which it takes its name. Rain transforms the scene, softening architectural outlines and reflecting lamplight or sky across wet stone and water surfaces. Oda's handling of rain in woodblock printing typically employs diagonal line overprinting to suggest precipitation, while [bokashi](/glossary/bokashi) gradations convey the atmospheric dampness that diffuses midground and background forms. Canal scenes of Osaka's commercial districts were a recurring subject for Oda, who documented the city's mercantile waterways with the same attentive realism he brought to Tokyo's harbor views. The [oban](/glossary/oban)-format composition likely positions a bridge or canal embankment in the foreground, drawing the eye through the wet streetscape toward receding urban distance.

1962
Woodblock print, ink and color on paper

c. 1833-36
Woodblock print (nishiki-e); ink and color on paper

Ame no Omiya
1930
Color woodblock print; oban

Teradomari no yau
1921
Color woodblock print; oban
Curated cross-cuts that include this print.
View of Yotsuhashi in rain, from was created by Oda Kazuma (織田一磨).
View of Yotsuhashi in rain, from depicts rain.