

Koson's vast output of ~450 designs spans birds, flowers, fish, insects, and occasional landscapes. While his large production keeps most prints accessible, early Kokkeido-period impressions with muted, elegant Meiji-era coloring are distinctly more sought after than the brighter later Watanabe editions.
Two white rabbits crouch beneath a full moon — the lunar rabbits of East Asian mythology, the creatures believed to inhabit the moon and pound medicinal herbs with a mortar and pestle. Produced around 1928–1930 with embossing adding texture to the rabbits' fur and the moon's surface, this print engages one of East Asian culture's most beloved folk images. Koson's rabbits are simultaneously naturalistic — the animals rendered with anatomical care — and mythological, their placement under the full moon invoking the tradition that connects rabbit and moon across centuries of East Asian art.
![Mount Fuji on a Moonlit Night, Kawai Bridge (Tsukiyo no Fuji [Kawaibashi]), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)" by Kawase Hasui](https://www.artic.edu/iiif/2/d0960668-1e73-339a-b182-fb995a54bff0/full/843,/0/default.jpg)
1947
Color woodblock print; oban

March 1933
Color woodblock print; oban

1919
Color woodblock print

January 1938
Woodblock print, ink and color on paper
Curated cross-cuts that include this print.
Two White Rabbits Under a Full Moon was created by Ohara Koson (小原古邨) in c. 1928–1930.
Two White Rabbits Under a Full Moon uses Bokashi, on woodblock print, ink and color on paper with embossing.
Two White Rabbits Under a Full Moon was published by Watanabe Shozaburo (c. 1928–1930).
Two White Rabbits Under a Full Moon depicts moonlight and night scenes.
Two White Rabbits Under a Full Moon measures 36.2 × 24 cm (Oban format).