La Mariée, Seoul, Corée

"La Mariée, Séoul, Corée" (The Bride, Seoul, Korea) depicts a Korean woman in traditional bridal dress — the white hanbok, the elaborately dressed hair, the ceremonial formality of a wedding day captured in Jacoulet's characteristically rich, luminous color. Printed in 1948, three years after Korea's liberation from Japanese colonial rule, the work documents Korean cultural life at a moment of transition. Jacoulet's Korean subjects, produced during his visits to the peninsula under Japanese administration, are among his most respected — careful, dignified portrayals of a people and culture he encountered with genuine curiosity.