Snow transforms any landscape into an exercise in negative space, and Tomoo Inagaki's woodblock print of a snow scene exploits this transformation with the graphic directness that defined his artistic practice. Freshly fallen snow simplifies the visual world: it buries texture, eliminates color, and reduces the landscape to white ground interrupted by whatever structures, trees, or landforms break through the blanket. For a printmaker who worked by carving away wood to create images, snow is an ideal subject because the paper itself, left uninked, becomes the snow. Inagaki's composition likely balances large areas of untouched white paper against the dark forms of whatever remains visible beneath or above the snowfall. The result is a print where the medium's materials enact the subject: blank paper is snow, carved-and-inked wood is the world that snow has not yet covered.