The Actors Ichimura Kamezo I as Yosaku and Arashi Tominosuke I as Koman

The Actors Ichimura Kamezo I as Yosaku and Arashi Tominosuke I as Koman, dated 1749, presents two leading Edo performers in the celebrated Yosaku-Koman pairing from the Tanba Yosaku narrative, the romantic-tragic story of the postal courier Yosaku and the courtesan Koman that had circulated in jōruri puppet theatre before adaptation into kabuki and would later receive its definitive treatment in Chikamatsu Hanji's late-eighteenth-century version. The 1749 date situates the print firmly within the Kiyomasu II generation of the Torii signature, carried on after the death of the first Kiyomasu around 1722, with the Art Institute of Chicago preserving the impression under the umbrella attribution to Torii Kiyomasu (source_url https://www.artic.edu/artworks/19394). Ichimura Kamezo I, who took the Yosaku role of the lower-class courier whose love for the courtesan brings the lovers toward a tragic conclusion, paired with Arashi Tominosuke I, whose Kyoto-Osaka female-role career had transferred to the Edo stage by the late 1740s. The Yosaku-Koman scenes belonged to the wider repertoire of romantic dual roles that allowed two performers to share extended dramatic exchange, and the Torii workshop's dual portrait format codified the visual record of such pairings. The bold contour line descended from the first Kiyomasu's hyotan-ashi and mimizu-gaki stylisations distinguishes the male and female roles through subtle adjustments while maintaining the unified visual register of the design. The [hosoban](/glossary/hosoban) format frames the paired figures, with patterned costume motifs and held properties supplying the visual interest against the lightly inked ground.