Akashi, from the series Fashionable Genji (Furyū Genji)

Akashi, from the series Fashionable Genji (Furyū Genji), dated 1853 and held by the Harvard Art Museums, is an Edo [ukiyo-e](/glossary/ukiyo-e) print by Utagawa Hiroshige drawn from a series that reinterprets the chapters of The Tale of Genji through nineteenth-century settings. Akashi is the chapter in which the exiled Hikaru Genji encounters the Akashi lady on the Inland Sea coast, a passage celebrated for its evocations of moonlit shorelines and longing. In this Utagawa Hiroshige composition the artist re-imagines the chapter through the visual codes of a contemporary Edo ukiyo-e landscape print: an open seascape with low sandy hills, fishermen's huts and a distant headland, populated by elegantly dressed figures whose clothing and accessories signal the world of the floating capital rather than the Heian court. Hiroshige's design balances the literary aura of the original chapter with the everyday glamour expected of a furyū, or fashionable, adaptation. The Harvard Art Museums impression preserves the print's careful registration and the subtle [bokashi](/glossary/bokashi) gradations of sky and water. As a landscape print embedded within a literary series, the work demonstrates Hiroshige's confidence in shifting between [meisho-e](/glossary/meisho-e), narrative illustration and classical reference, and exemplifies how an Edo ukiyo-e Utagawa Hiroshige composition could be both a fashionable image of nineteenth-century life and a respectful homage to Japan's most revered prose work.