From Hiroshige's Hoeido Tokaido (1833–34), considered his greatest achievement and among the finest landscape print series in Japanese art. The Hoeido edition is worth many times more than Hiroshige's later Tokaido series. Early impressions show the distinctive crisp bokashi gradation that later wears away.
At Arai, station 31 on the Tokaido, travelers crossed the mouth of Lake Hamana by ferryboat — one of the few water crossings on the entire highway where no bridge existed. Hiroshige's Hoeido Tokaido print depicts the fleet of flat-bottomed ferries working the crossing, their passengers huddled aboard as the wide tidal inlet stretches in every direction. The Arai crossing was notorious for delays caused by wind and weather.
Wakasa Kugushiko
1920
Color woodblock print; oban
Woodblock print
1934
Color woodblock print; oban
n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Curated cross-cuts that include this print.
Arai: View of Ferryboats (Arai, watashibune no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido was created by Utagawa Hiroshige (歌川広重) in c. 1833/34.
Yes — Arai: View of Ferryboats (Arai, watashibune no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido is part of the The Fifty-Three Stations of the Tokaido series (print 32 of 55) by Utagawa Hiroshige.
Arai: View of Ferryboats (Arai, watashibune no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido depicts landscapes, seascapes, and tōkaidō.
