Cherry Trees on Mount Goten

Cherry Trees on Mount Goten, dated 1856 and preserved in the Victoria and Albert Museum, places Utagawa Hiroshige's late Edo [ukiyo-e](/glossary/ukiyo-e) production in dialogue with the city's most enduring seasonal subject: cherry-viewing (hanami). Mount Goten (Gotenyama) lay on a low bluff at Shinagawa, overlooking the southern approaches to Edo Bay, and had been planted with cherry trees by order of the eighth shogun, Tokugawa Yoshimune, as part of his program to make hanami available to the broad population. By the mid-nineteenth century the site was one of the most popular cherry-blossom destinations in the city. In this design Hiroshige uses a high vantage that opens out toward the bay: foreground and middle ground are filled with the bright pink-white canopy of cherry trees, beneath which small groups of visitors picnic, drink, and stroll along the path. Beyond the bluff the eye is led down across slope and shore to a strip of water, with the suggestion of distant mountains and Bōsō headlands closing the horizon. The palette—pale pink for blossom, soft green for new foliage, blue for the bay—is gentle and seasonal, and the printer's [bokashi](/glossary/bokashi) at sea and sky deepens the sense of recession. As a landscape print, the work both records a beloved Edo site and contributes to a long visual tradition in which Hiroshige had become a central figure, anticipating the closely related Gotenyama designs in One Hundred Famous Views of Edo.