Distant View of Ryogoku from the Ohashi Bridge

Distant View of Ryogoku from the Ohashi Bridge, dated 1855 and held in the Victoria and Albert Museum, returns Utagawa Hiroshige to one of his favorite Edo subjects: the Sumida River seen from the great bridge at Ryōgoku. Ryōgoku-bashi, the "Two-Province Bridge," connected Musashi and Shimōsa across the Sumida and was one of the city's busiest spans, particularly famous for the summer fireworks displays held nearby. In this print Hiroshige looks toward Ryōgoku from a slightly lateral vantage, allowing both the curving timbers of the Ohashi (Great Bridge) and the open river to play significant roles in the composition. The bridge itself spans the foreground or middle ground, populated with travelers, merchants, palanquin bearers, and possibly mendicant figures; below, pleasure boats and ferries dot the river, while the distant bank carries low rooftops, warehouses, and the suggestion of the entertainment district associated with Ryōgoku. The palette is one of his more atmospheric—soft blues for water and sky, warmer ochres and browns for the bridge timbers, and a few accents of red for clothing or signage—and the printer's [bokashi](/glossary/bokashi) at the horizon line softens the city into haze. As an Edo [ukiyo-e](/glossary/ukiyo-e) landscape print, the design exemplifies Hiroshige's ability to reframe a heavily visited subject through small but telling compositional shifts, and it directly anticipates several designs in One Hundred Famous Views of Edo.