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Evening Bell at Ueno by Utagawa Hiroshige — Japanese Print, 1843-1847

Evening Bell at Ueno

by Utagawa Hiroshige

Date:
1843-1847
Medium:
Print

Description

Evening Bell at Ueno, dated 1843 and held by the Victoria and Albert Museum, is an Edo ukiyo-e landscape print by Utagawa Hiroshige inspired by the classical theme of the Eight Views, in which a famous place is paired with a poetic mood such as evening snow, autumn moon, or a tolling bell. The bell in question hung at Kan'ei-ji, the great Tokugawa-sponsored temple complex on Ueno hill northeast of Edo Castle, and its low evening tone was a familiar sound for residents of the surrounding wards. Hiroshige stages the design with the bell tower and clustered temple roofs rising above the slope of the hill, partially veiled by pine and cherry trees and a softly graded twilight sky. Figures move along the temple precincts or pause beneath the lanterns of the lower courtyards. The palette is muted: ash blues, slate grays, and warm earth tones, with delicate bokashi gradations softening the silhouettes of the rooftops. By transposing the venerable Chinese motif of the evening bell onto a recognizable Edo landmark, Hiroshige helped naturalize the Eight Views tradition for a popular urban audience. The print is one of many sheets in which the artist quietly translates the conventions of classical landscape painting into the affordable, widely circulated medium of the woodblock landscape print, broadening the cultural reach of the Eight Views formula.

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Frequently Asked Questions

Evening Bell at Ueno was created by Utagawa Hiroshige (歌川広重) in 1843-1847.

Evening Bell at Ueno depicts landscapes.