From Hiroshige's Hoeido Tokaido (1833–34), considered his greatest achievement and among the finest landscape print series in Japanese art. The Hoeido edition is worth many times more than Hiroshige's later Tokaido series. Early impressions show the distinctive crisp bokashi gradation that later wears away.
Fujikawa, station 38 on the Tokaido, sat at the edge of the settled post-road in a landscape of dry riverbeds and scattered pines. This Hoeido Tokaido print shows the view from the outskirts of the station — the scattered settlements and open terrain that characterized this stretch of the highway between Yoshiwara and Yoshida, with Mount Fuji potentially visible to the northeast.
Wakasa Kugushiko
1920
Color woodblock print; oban
Woodblock print
1934
Color woodblock print; oban
n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Curated cross-cuts that include this print.
Fujikawa: View of Post Outskirts (Fujikawa, bohana no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido was created by Utagawa Hiroshige (歌川広重) in c. 1833/34.
Yes — Fujikawa: View of Post Outskirts (Fujikawa, bohana no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido is part of the The Fifty-Three Stations of the Tokaido series (print 38 of 55) by Utagawa Hiroshige.
Fujikawa: View of Post Outskirts (Fujikawa, bohana no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido depicts landscapes, mount fuji, and tōkaidō.
