Megurofudo
- Medium:
- Woodblock print
- Source:
- Art Gallery of Greater Victoria
- Image courtesy of
- Art Gallery of Greater Victoria
Description
The Fudo temple at Meguro (Ryusenji) was one of the five great Fudo sanctuaries of Edo, drawing pilgrims to venerate the Buddhist deity of immovable wisdom. Hiroshige's view of Megurofudo likely records the approach through dense cedar groves, the stone lanterns lining the path, and perhaps the cascading waterfall associated with the site's ritual use—Fudo worship often involved water purification. The dark canopy of trees creates a contemplative atmosphere appropriate to the deity's austere character, while the distant city visible through a gap in the foliage would remind the viewer of the urban world the pilgrim temporarily leaves behind. Such images participated in the guidebook-adjacent function of meisho-e prints, orienting Edo residents within the city's network of sacred and recreational destinations outside the downtown core.
More Prints by Utagawa Hiroshige
More Urban Scenes Prints

A Hundred Shades of Ink of Edo: Kiyonaga's Pipe (Edo zumi hyaku shoku: Kiyonaga no kiseru)
Woodblock print

View of Kabuki Theater from Matsuya (Ginza Matsuya yori Kabukiza), no. 3 from the series "Pictures of Ginza, First Series (Gashu Ginza dai isshu)"
1928
Color lithograph

Distant View of Mitsukoshi Movie Theater in Shinjuku from the Sixth Floor of Hoteiya (Hoteiya rokkai kara Shinjuku Mitsukoshi Musashi no kan enbo zu), no. 1 from the series "Scenery of Shinjuku (Gashu Shinjuku fukei)"
1930
Color lithograph

Spring Dusk at the Tōshō Shrine in Ueno
1948
Woodblock print, ink and color on paper
Featured in Collections
Curated cross-cuts that include this print.
Frequently Asked Questions
Megurofudo was created by Utagawa Hiroshige (歌川広重).
Megurofudo depicts urban scenes and temples & shrines.


