Viewing Cherry Blossoms at Mukōjima (Mukōjima hanami no zu)

A color ōban woodblock [triptych](/glossary/triptych) of 1862 in the Museum of Fine Arts, Boston, this Viewing Cherry Blossoms at Mukōjima (Mukōjima hanami no zu) pictures the celebrated hanami (cherry-blossom viewing) site along the Sumida River north of Edo. Mukōjima — the east bank of the Sumida directly across from Asakusa — was one of the three great hanami destinations of the Edo period, alongside Ueno's Tōeizan compound and Asukayama in Ōji. Its long avenue of cherry trees, planted along the riverbank by the eighth shogun Yoshimune in the eighteenth century, attracted enormous crowds during the brief blossoming season each spring; the area's teahouses, food stalls, and waterside views generated a continuous flow of woodblock prints across the late-Edo and Meiji decades. Kuniaki II's triptych follows the [bijin-ga](/glossary/bijin-ga) and genre conventions of the season's print market: groups of women in seasonal kimono stroll beneath the blossoms; townspeople gather at picnic mats; and the river and distant shrine roofs anchor the composition's spatial recession. The 1862 dating places the print in the productive final years of the Tokugawa government, when the Sumida hanami remained one of the great calendrical pleasures of Edo life.