

$1,000–$8,000. Snow and night scenes tend to command premium prices for this artist. Key value factors: Phillips is highly collected in Canada. Mountain and lake scenes are most popular. Japanese-technique prints are more valued than his etchings.
Created in 1921, this print captures the quiet transition from day to night in a Canadian landscape. Walter J. Phillips was a British-born artist who emigrated to Canada and became one of the most accomplished Western practitioners of the Japanese color woodcut technique. His evening scenes exploit the woodblock medium's ability to produce rich, dark tones: deep blues, purples, and blacks layered to create the velvety depth of a sky after sunset. The Canadian landscape provided subjects unlike anything in the Japanese printmaking tradition, with its vast open spaces, boreal forests, and the quality of northern light that lingers long after the sun drops below the horizon. Phillips would have carved and printed this work himself, in keeping with the [sosaku-hanga](/glossary/sosaku-hanga) principle of the artist controlling every stage of production.

Woodblock print

Teradomari no yau
1921
Color woodblock print; oban
![Mount Fuji on a Moonlit Night, Kawai Bridge (Tsukiyo no Fuji [Kawaibashi]), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)" by Kawase Hasui](https://www.artic.edu/iiif/2/d0960668-1e73-339a-b182-fb995a54bff0/full/843,/0/default.jpg)
1947
Color woodblock print; oban

March 1933
Color woodblock print; oban
Curated cross-cuts that include this print.
Evening was created by Walter J. Phillips in 1921.
Evening depicts night scenes.