
Winter
- Date:
- 1920s
- Medium:
- Format:
- Oban
- Source:
- Victoria and Albert Museum

$1,000–$8,000. Snow and night scenes tend to command premium prices for this artist. Key value factors: Phillips is highly collected in Canada. Mountain and lake scenes are most popular. Japanese-technique prints are more valued than his etchings.
Created in the 1920s, this print distills the Canadian winter to its elemental condition: cold, snow, shortened days, and the transformed landscape that results. Walter J. Phillips lived in Winnipeg during this period, where winter dominates the calendar from November through March, and the prairie landscape undergoes its most radical seasonal change. The single-word title, "Winter," claims the entire season as subject matter rather than specifying a particular place or moment. Phillips's woodblock technique for winter scenes relied on the contrast between warm-toned ink for trees, buildings, and shadows and the cool white of untouched paper representing snow. The limited palette of winter, primarily whites, greys, blues, and the dark forms of bare trees, concentrates the printmaker's attention on tonal relationships rather than color variety. The result is a composition that conveys the hush and stillness of a landscape sealed under snow.
Woodblock print

c. 1832/38
Color woodblock print; oban

Yuki no Miyajima
1929
Color woodblock print; oban

1932
Woodblock print
Curated cross-cuts that include this print.
Winter was created by Walter J. Phillips in 1920s.
Winter depicts snow scenes and winter.