Lady with Fan Standing on Verandah

Lady with Fan Standing on Verandah, by Yashima Gakutei, is held by the Metropolitan Museum of Art and exemplifies the intimate domestic scenes that Yashima Gakutei produced within the [surimono](/glossary/surimono) idiom. As a designer trained in the Hokusai school under Katsushika Hokusai and active in the Edo and Osaka kyoka networks, Gakutei adapted the Hokusai school's interest in everyday life to the privately commissioned deluxe print format that defined his career. The lady, depicted on a verandah opening to a garden or a slope of roof tile, holds a folding or rigid fan, a perennial attribute that linked the image to summer, courtship, and refined leisure. The verandah setting, common in late Edo painting and printmaking, allowed designers to negotiate the boundary between interior and exterior, between architectural geometry and natural prospect. Surimono printing techniques, including [bokashi](/glossary/bokashi) gradations across the kimono and sky, embossed accents on the textiles, and metallic pigments where appropriate, would have lent the image the tactile richness that distinguished surimono from commercial [bijin-ga](/glossary/bijin-ga). The accompanying kyoka verses, typical of the genre, would have linked the visual scene to a seasonal moment or a poetic conceit relevant to the commissioning club. The Hokusai school's discipline of figural composition organizes the woman's posture, the fall of her kimono, and the play of pattern across the textiles. The Metropolitan Museum's holdings of Gakutei's figural surimono provide essential comparanda for studying his bijin idiom within the broader culture of nineteenth-century deluxe printmaking.