$1,500–$10,000. Common subjects: $1,500–$3,000. Key value factors: Bartlett's Watanabe-published prints of India and Southeast Asia are most valued. His vivid tropical colors distinguish his work.
Peshawar depicts the ancient frontier city in what is now northwestern Pakistan, a crossroads settlement that has connected Central Asia, Afghanistan, and the Indian subcontinent for over two thousand years. In Bartlett's era, Peshawar was the capital of the North-West Frontier Province of British India, a garrison city where the cultures of the Afghan Pashtun borderlands met the administrative apparatus of the British Raj.
Bartlett's oban woodblock print captures the visual character of this frontier city: its bazaars, its mosque minarets, the mix of Afghan, Pashtun, and British colonial architecture, and the constant presence of the mountains that define the northwest frontier landscape. The print extends the geographic range of the Japanese woodblock medium to one of its most remote outposts, depicting a subject that no Japanese printmaker had attempted. Bartlett's watercolorist's eye for atmospheric haze and dust-filtered light serves the arid frontier environment particularly well.

Woodblock print

1928
Color lithograph

1930
Color lithograph

1948
Woodblock print, ink and color on paper
Curated cross-cuts that include this print.
Peshawar was created by Charles W. Bartlett in Not set.
Peshawar depicts urban scenes, figures, and travel scenes.